I, Daniel Blake, winner of the Palme d’Or, will screen at NZIFF 2016 direct from its Cannes world premiere. Twenty three films in total are confirmed, including eleven titles from the Cannes Competition selection.
“To be screening so many of the best films straight from Cannes on the giant screens of NZ is a thrilling coup for NZIFF. NZ audiences will be among the first in the world to see Ken Loach’s welfare state drama I, Daniel Blake, Jim Jarmusch’s Paterson starring Adam Driver, and Elle, starring Isabelle Huppert, which closed Cannes and will be our closing night film for Auckland and Wellington,” says NZIFF director Bill Gosden.
The confirmed films from Cannes are:
Brazilian actress Sonia Braga has the role of her life in this engrossing and richly surprising portrait of a fiercely intelligent and independent woman fighting to save the apartment she loves from demolition.
Genre subversive Paul Verhoeven, director of Basic Instinct and Black Book, teams up with the great Isabelle Huppert to craft this provocative, blackly comic thriller.
Graduation (ex-aequo Best Director winner for Cristian Mungiu)
Cannes winner Cristian Mungiu (4 Months, 3 Weeks and 2 Days) directs a tense, involving moral thriller centred on an overbearing father keen to get his daughter out of Romania and into a British university at any price.
Based on Welsh novelist Sarah Waters’ Fingersmith, this outrageous and lusciously erotic thriller from the director of Oldboy transposes a Victorian tale of sex, duplicity and madness to 1930s Japanese-occupied Korea.
I, Daniel Blake (Palme d’Or winner for Ken Loach)
This often funny and ultimately intensely moving tale of the friendship between an out-of-work Newcastle carpenter and a young single mother won for Britain’s Ken Loach a second Palme d’Or for Best Film at Cannes this year.
Spanish auteur Pedro Almodóvar (All About My Mother) returns to his roots with another satisfying female-centric emotional drama, cutting between past and present to explore the loves and regrets of his anxious heroine.
Jim Jarmusch’s beautifully calibrated ode to art and ordinariness stars Adam Driver as a New Jersey bus driver who writes poetry in his downtime and Golshifteh Farahani as his cupcake chef wife.
Personal Shopper (ex-aequo Best Director winner for Olivier Assayas)
Kristen Stewart reunites with Clouds of Sils Maria director Oliver Assayas to play a young American in Paris, buying haute couture for her celebrity boss, and seeking contact with the spirit of her dead twin brother.
The Salesman (Best Screenplay winner for Asghar Farhadi, Best Actor for Shahab Hosseini)
From Iranian master Asghar Farhadi: a violent incident rocks the marriage of two Tehran actors in this Cannes award winner for Best Actor and Best Screenplay.
This blackly comic drama from the director of The Death of Mr Lazerescu draws us into the complex dynamics of an extended Bucharest family gathered to memorialise their late beloved patriarch.
Toni Erdmann (winner of The International Federation of Film Critics (Fipresci) prize)
Hailed at Cannes as a brilliantly original comic masterpiece, Austrian writer/director Maren Ade’s epic of parent-child dysfunction centres on a father assailing his uptight corporate daughter with crazy pranks. “Long after this year’s juries have disbanded and the world has forgotten who won this year’s awards, the 2016 edition will best be remembered as the year Ms Ade gave us Toni Erdmann, a work of great beauty, great feeling and great cinema.” — Manohla Dargis, NY Times
Un Certain Regard
After the Storm
A formerly successful novelist tries to reconnect with his ex-wife and young son in this affectionate, shrewdly observed drama of family life from Japan’s unassuming master, Kore-eda Hirokazu (Our Little Sister).
Captain Fantastic (Un Certain Regard Award for Best Director Matt Ross)
Renaissance man Viggo Mortensen steals the show as a solo father whose idealistic way of raising his six children off the grid comes under attack in this energetic, comedic drama.
French singer Soko and Lily-Rose Depp star in this exquisitely dressed, spectacularly danced drama inspired by the true story of two rival pioneers of modern dance in late 19th-century Paris.
The Red Turtle (Un Certain Regard Special Jury Prize)
Studio Ghibli’s first international co-production is a ravishing castaway fable that combines beauty, mystery, drama and heartbreak – with not a word spoken. It’s a triumph for animator Michael Dudok de Wit.
Jim Jarmusch pays tribute to seminal proto-punk champs the Stooges and their wiry frontman Iggy Pop in this tremendously entertaining rock doco, charting their rise and premature demise through to their late-career revival.
The Death of Louis XIV
A master of minimalist portraits of historical figures, Albert Serra (Story of My Death, NZIFF14) directs French New Wave doyen Jean-Pierre Léaud as Louis XIV during the last days of his 72-year reign as the king of France.
“This high-energy romp is a superb showcase for its two lead actresses as they impetuously extend a group outing from the residential clinic into a two-character outlaw adventure.” — Lisa Nesselson, Screendaily
Mercenary (Europa Cinemas Label Award)
A young Pacific Islander has to grow up fast when he gets the opportunity to leave his idyllic but oppressive home and take up a professional rugby contract in France in this fierce and entertaining sports drama.
Not your conventional biopic, this enthralling dramatic exploration of the legacy of Chilean poet Pablo Neruda conjures up a fiction in which he is pursued into political exile by an incompetent detective played by Gael García Bernal.
A glorious feast for the senses, the latest film from Chilean octogenarian and life-long maverick Alejandro Jodorowsky revisits his coming of age as an aspiring young poet in the bohemian Santiago of the 40s and 50s.
The Lives of Thérèse (Queer Palm Award) Wellington only
Filmed over the last months of her life, this compelling and inspiring portrait of the French feminist thinker and activist Thérèse Clerc celebrates her extraordinary evolution and vital legacy.
A singular Western rightfully restored for the big screen, Marlon Brando’s sole directorial effort and legendary film maudit arrives fresh from its enthusiastic reappraisal at Cannes.
NZIFF is run by a charitable trust and encourages lively interactions between films, filmmakers and New Zealand audiences in 13 towns and cities around the country. The full NZIFF Auckland programme will be available from Tuesday 21 June and tickets on sale fromFriday 24 June from Ticketmaster. The full NZIFF Wellington programme will be available from Friday 24 June and tickets on sale fromThursday 30 June via nziff.co.nz. NZIFF 2016 dates are:
Auckland 14 – 31 July
Wellington 22 July – 7 August
Christchurch 28 July – 14 August
Dunedin 4 – 21 August
Further regional dates, along with ticketing information can be found at nziff.co.nz.